When you ultimately do pick the ideal studio, one that you’re feeling comfy at, there’s a certain routine that has to be followed to get the best performance and the best quality recording for your bucks.
Tune Your Instruments. This also includes your drums and any tunable percussion instruments you may have. There’s nothing at all worse in the world than to have a superbly written tune with an ideal performance be ruined because somebody didn’t take an extra 2 minutes to check their tuning. Tuning takes a couple of minutes ; a recording lasts fora lifetime.
Be thoroughly practiced. You’ll be shocked how many bands suffer when they get the final bill. The main reason for that is because they confuse rehearsal time with recording time. Rehearse at home, in the garage, at your uncle’s house ; anywhere but at the recording studio. When you get to the session, you should know your songs inside-out and be ready for the red recording signal.
Practice with a click track. A lot of drummers unable to play with a metronome. Make sure yours can. A click track is critical in getting a good solid beat that the rest of the band can lock in to, and to sync-up loops and delay speed.
Arrive on time. Many studios start charging their clientele at the exact time that the the agreement states. Simply because you make a decision to show up late, doesn’t mean the studio should give up that time for free . Be early and be ready to go. Not only that it’s disrespectful for your band mates.
Get the sound right. Never, ever attempt to correct it in the mix. It doesn’t work like that. Take an additional few minutes to modify the sound before recording it. Adjust that knob, tune that drumhead, have another drink of water. Remember again, tweaking may take an extra minute, but the recording will last for all eternity.
Know when to quit. Recording frequently leads to abating returns. Spending fifteen hours} in a row at the recording studio isn’t about to make your song twice as good as spending 10 hours. This rule also applies to mixing. If you are beat, call the session and return the next day fresh and prepared.
Record by yourselves. Don’t bring your friends, family moms and pops or anyone else into your sessions. As fun as it could be, you are there to do a job and record the best music possible. If you’re a millionaire, then by all possible means, have a party at the studio, but do not count on getting anything done.
Mix and match. After letting the engineer do the 1st rough cut (which he should ) do an A / B comparison of your mix to a couple of your fave CDs. Recall that the successful CDs you are listening to have already been mastered. But it’s a good way to compare eq and other elements.
Bring spares. Always bring spare strings, drum heads, bass strings, water bottles, throat lozenges, etc to a session. You’ll always need the sole thing you didn’t remember to bring, so bring it all and leave them at the studio until your recordings are done.
Have a good time! This is the most important point of all. Making and recording music isn’t complicated. Though there is a science involved, you should let the studio professional worry about that. If you’re not having a good time, then you are in the wrong business! http://www.micsandmoreonline.com